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Noah Baumbach's autobiographical divorce tale "The Squid and the Whale" is more realistic and therapeutic than entertaining or insightful.
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The Wire season 2: this 12 hour feature film entwines you in overlapping nets, then leans on exposition to tie it up & cut free in 2 hours.
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"every scene matters (whether) in a screenplay, or an Excel spreadsheet, or the Tweet that you’re about to type." (http://twurl.nl/1d3n8l)
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"The Wire pays back the attention you invest in it like few pieces of art created in my lifetime." - Merlin Mann (http://twurl.nl/1d3n8l)
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Merlin Mann's article "Writing Into Your Arc" uses "The Wire" as an example for blogging and writing of all kinds. http://twurl.nl/1d3n8l
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Charlie Kaufman's "Synecdoche, New York" is a fiction about fiction portraying fiction within blurred fiction searching for reality & truth.
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Sean Ellis' "Cashback" (2006) cunningly adapts cinema's temporal nature to freeze time in this reflective and timeless supermarket romance.
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John Turturro's sometimes-musical "Romance & Cigarettes" feels disjointed, like an experimental student film with a stellar cast.
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3 minutes into the pilot episode of "Jericho" we've decided it's utterly unwatchable.
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@Alasdaircelt "Tampopo" is a fine food film. a favorite food book: "A Year In Provence" (but NOT the BBC's flat TV mini-series).
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long takes sculpt the human landscape of "Big Night" (1996), painted by a cast pulling us into each living moment, delicious and poignant.
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thinking that producing TV for the web is like broadcasting a radio show on television.
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done. emailing final script to the client.
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shooting intro and wrap up.
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writing the intro and conclusion in the teleprompter.
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our executive talent has been steered back to a conventional interview setup. he's speaking naturally and comfortably.
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upon request, setting up for an "interview" without an interviewer, talent to read his prepared answers off teleprompter - a dubious idea.
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setting up for a green screen shoot.
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"Snow Angels" (2007) lulls you into the boredom of commonplace failures and stilted lives, to personally involve you in ordinary tragedy.
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Studio Ghibli's "Grave of the Fireflies" (1988) is sweet tragic realistic impressionism, and no one's idea of an after school cartoon.
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