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DorkmanScott

@wingrove Aside from being too damn close to the action when the robots start fighting.
@wingrove Plus the effects are fantastic, and whatever his storytelling faults may be, Bay's shot design sense is superb.
@wingrove ...which is exactly as you articulated it, you really have no standing not to accept anything else that comes down the tubes.
@wingrove I enjoyed the film. I basically gave it a pass on all plot holes, because if you are willing to accept the absurd premise...
@RyanWieber I don't think you are, but I certainly think it looks like fun.
I wish the iPhone text function let you cancel after you hit "Send." I always notice a typo right then.
@carbongirl Psst, check out the date on that article. ;)
@djsmackmackey AE can import .ma scenes.
@wingrove Ew. I'll have to be careful not to use that phrase on here...don't want to encourage them.
Considering joining in with Colbert's "Operation Humble Kanye." I need my post-election "being part of something big" fix.
New blog post on the new RED announcements. Short version: not as big a deal as last time. http://dorkmanscott.blogspo...
What I do with RED moving forward -- assuming they don't change it all again -- now comes down to accessory prices.
@Filmbot That article has gotten me so excited. I thought WB had killed the project, so glad to hear they're seeing it through.
@mikeseymour Isn't it just that all cameras can use all mounts, but just might not take full advantage depending on lens/sensor config?
@5tu Yep, in-camera scaling.
Epic-X package is $28K *before* trade-in. Which means R1 owners get to jump to the next level, accessories and all, for only $10K. HOT.
@wingrove They dropped that about a week ago, actually. Maybe someone actually did real calculations instead of pummelling the keypad.
And we got 1-120fps back at 3K!
Hey, Fixed Lens Scarlet still 3K for 3K. Sorta. Another $750 to actually be useful (batteries 'n such, presumably).
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